Text/Yangcheng Evening News All-Media Reporter Huang Zhouhui
Photo/Provided by the Creative Performer Komiks 1960 witch cloth draw
On October 4, the national opera “Overseas Chinese Commentary” will be officially premiered in the Guangzhou Grand Theater’s Opera Hall. The play is a key support program of the Ministry of Culture and Tourism’s “Chinese National Opera Inheritance and Development Project” and the “Historical Theme Creation Project”, telling the ups and downs behind the overseas Chinese criticism. The drama was produced by the Propaganda Department of the Zhuhai Municipal Party Committee and the Zhuhai High-tech Zone Management Committee. It was produced by the Zhuhai Performing Arts Group and performed by the Zhuhai Song and Dance Troupe. It was produced by the main creative and leading actor team and more than 200 cast and staff members in front and behind the scenes for two years to create and arrange.
Stills from the national opera “Overseas Chinese Commentary”
Art presents the national spirit of historical themes
Overseas Chinese Commentary is a general term for letters and palindromes sent back to their families through private channels and financial and postal institutions. It is a carrier of “convergence of letters” and is called a crossing of the sea. DrawXinhua said that it was once prosperous in the coastal areas of Guangdong. The national opera “Overseas Criticism” started with the Chinese worker Liang Chengru who rushed to his hometown to prevent his daughter from being sold like himself but died at sea. A “pplication” left by his death began with the forced sale of his daughter, Liang Dongshi and Liang Caiyun, who had to sell his daughter, the mother-in-law who had been sick for a long time, Tang Youxin, and his wife, who was the head of the Overseas Criticism Bureau, and many Chinese workers who empathized with Liang Chengru. It demonstrated the compatriots who were loyal to Yuntian in the years of suffering, and reflected the great love of the Chinese nation rooted in the bone marrow and flowing in the blood.
Stills from the national opera “Overseas Chinese Commentary”
How to make a piece of Overseas Chinese Commentary be concrete and present it artistically and humanly on the stage is a proposition for opera creation. The screenwriter of the dramaWang Yong said: “A letter of paper is the starting point of the story of Babaylan 1990 cloth draw, and it is also the fulcrum of the story. This “Cinema 1950 witch cloth draw fulcrum” connects the past and present life and the next life of the Chinese nation. Only by expressing human nature and human feelings can it be possible to break the barriers of time and be closer to the overseas Chinese and Chinese workers in the past on the emotional level, so that the “Overseas Chinese Criticism” is no longer an exhibition in the museum’s window, and history href=”https://comicmov.com/”>Cinema 1950 witch cloth draw is no longer cold words and pictures, making the story more humane and a warm light that warms peopleCinema 1950 witch cloth drawHeart, touching and shaking. ”
Top team took two years to devote themselves toBabaylan 1990 cloth DrawCreate
The National Opera “Overseas Certificate” gathers top artists in the industry – Meng Weidong, consultant of the China Musicians Association, former head of the China Railway Art Troupe, and first-class composer Meng Weidong, as the composer, as the composer, Vice Chairman of the China Drama Association, President of the National Peking Opera Theater, and First-class Screenwriter Wang Yong, as the screenwriter, former vice president of the Central Academy of Drama and Ph.D. instructor Liao Xianghong, former vice president of the National Grand Theater and former vice president of the Beijing Dance Academy, as the director, Zhu Man, permanent conductor of the Central Academy of Music, and young conductor, as the conductor and chorus conductor of the orchestra respectively. In addition, Zhou Zhengping, a national first-class stage lighting illuminator, was invited. Ding Ding, famous stage designer, famous fashion designer Cui Xiaodong and other artists helped, and young singers Komiks 1960 witch cloth drawLu Wei, Li Yang, Dong Bin, and Li Bufan starring.
Stills from the national opera “Overseas Chinese Commentary”
In the spring of 2021, the Propaganda Department of the Zhuhai Municipal Committee of the Communist Party of China and the Zhuhai Performing Arts Group decided to start the creation of the Komiks 1960 witch cloth draw‘s national opera “Overseas Chinese Commentary”. In July of the same year, Zhuhai Performing Arts Group organized a creative team to go to Zhuhai Tangjia, Jiangmen and other places to collect folk songs. When visiting the Wuyi Overseas Chinese Museum in Jiangmen, the situation of Chinese workers traveling across the ocean on fire boats, the miserable scenes that Chinese workers could not bear to witness, the vast Pacific Ocean and the strange state of Komiks 1960 witch cloth draw brought huge impact to the main creators.
The main creative team held several planning meetings in Beijing and Zhuhai. Screenwriter Wang Yong refined and revised the drafts based on historical facts, repeatedly revised them; the composer Meng Weidong followed the plot and integrated music and lyrics; director Liao Xianghong firmly grasped the characteristics and advantages of national opera, and vividly presented the righteousness and love of the characters in the play.
Re-polishing makes the play more Guangdong-style
The national opera “Overseas Chinese Commentary” sets up characters and structures the entire play with a letter and a letter. “Overseas Chinese Commentary” and “The Sea” have different symbolic meanings. “Overseas Chinese comments” are letters from home, letters from silver, links connecting hometowns with thousands of miles apart, and symbols of commitment and faith. A “Overseas Chinese Commentary” signed by a hundred people is the transmission of love for overseas Chinese, showing the suffering, homesickness and feelings of family and country. Their good deeds and righteous deeds of Komiks 1960 witch cloth draw are also important manifestations of the Chinese nation’s credibility and commitments; the sea is a road of life, a barrier, and a symbol of fate that is difficult to dominate in life.
In terms of music style, the play is based on deep, atmospheric, heavy and lyrical as its overall music style, with very distinctive musical characteristics and themes – using Guangdong music as the tone, it has strong Lingnan music characteristics. Fluent and emotional melody expresses the characters’ emotions, Cinema 1950 witch cloth draw renders the character’s emotions; sing solo, rejuvenate Cinema 1950 witch cloth draw and other singing forms structure this drama to enhance the character’s mobility and drama; the orchestration uses a variety of national instruments to fully demonstrate the charm of Chinese traditional culture.
Stills from the national opera “Qiqian Comment”
In the stage presentation, the play has distinct contemporary and regional characteristics. It takes the sea as the main spatial image, follows the aesthetic principles of freehand painting, and creates a grand, ethereal and poetic space. The scene setting of virtual and real, and the juxtaposition of physics and psychological time and space externalize and poetically the inner world of the characters, bringing stronger inner impact to the audience.
It is reported that the national opera “Qiqian Criticism” is the first opera work created in the Cinema 1950 witch cloth draw just two and a half years after its establishment. After being auditioned at the Zhuhai Grand Theater on July 3, it took another three months to polish it. The premiere of the drama in Guangzhou has strengthened local characteristics in stage design and multimedia design, highlighting Guangdong elements, and the plot setting emphasizes the contradiction between the inner conflicts of the characters and the relationship between the characters, and the theme is more concise and improved. Babaylan 1990 cloth draw